THE WEST WING – ORIGINAL TELEVISION SOUNDTRACK Review
THE WEST WING – ORIGINAL TELEVISION SOUNDTRACK takes us back to pure presidential pageantry.
THE WEST WING – ORIGINAL TELEVISION SOUNDTRACK takes us back to pure presidential pageantry.
Matt Cummings wonders what could have been as GLASS completes Shyamalan’s superhero trilogy.
Matt Cummings reviews (and loves) Universal’s 4K/Blu-ray home release for FIRST MAN.
BUMBLEBEE successfully reboots the TRANSFORMERS universe by doing everything Michael Bay couldn’t (or wouldn’t) do.
AQUAMAN takes us underwater to great CGI and solid performances. The question is, do DCEU fans even care at this point?
Featuring a stellar amount of supplements and superb audio/video, MISSION: IMPOSSIBLE – FALLOUT is the best 4k/Blu-ray release of 2018. Sorry, INFINITY WAR.
MARY POPPINS RETURNS is an extraordinary journey into our youth, filled with memorable music and engaging characters.
Matt Cummings reviews James Newton Howard’s score for Fantastic Beasts – The Crimes of Grindelwald.
Although an improvement over the original, FANTASTIC BEASTS – THE CRIMES OF GRINDELWALD is overstuffed and yet paper-thin.
Matt Cummings reviews the paint-by-numbers sequel THE GIRL IN THE SPIDER’S WEB.
Matt Cummings reviews the score for the submarine action pic HUNTER KILLER.
MISSION: IMPOSSIBLE – FALLOUT OFFICIAL SOUNDTRACK is a heart-pounding, boisterous compliment to Team Cruise’s madness, writes Matt Cummings.
BOHEMIAN RHAPSODY is both an operatic rock experience and a frustratingly light dramatic biopic.
Matt Cummings is shocked to admit the spectacular failure of the not-for-kids CHRISTOPHER ROBIN.