Andrei Rublev (Criterion Collection) (Blu ray) [USA]

C.C. 95

The Snarky Assassin
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Sep 10, 2014
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Release Date: September 25
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Criterion- $39.96

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Director
: Andrei Tarkovsky
Writers: Andrei Konchalovsky, Andrei Tarkovsky
Starring: Anatoliy Solonitsyn, Nikolay Grinko, Irma Raush, Nikolay Burlyaev, Yuri Nikulin
  • Soviet Union
  • 1966
  • 185 minutes
  • Black & White
  • 2.35:1
  • Russian
  • Spine #34
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Tracing the life of a renowned icon painter, the second feature by Andrei Tarkovsky vividly conjures the murky world of medieval Russia. This dreamlike and remarkably tactile film follows Andrei Rublev as he passes through a series of poetically linked scenes—snow falls inside an unfinished church, naked pagans stream through a thicket during a torchlit ritual, a boy oversees the clearing away of muddy earth for the forging of a gigantic bell—gradually emerging as a man struggling mightily to preserve his creative and religious integrity. Appearing here in the director’s preferred 185-minute cut as well as the version that was originally suppressed by Soviet authorities, the masterwork Andrei Rublev is one of Tarkovsky’s most revered films, an arresting meditation on art, faith, and endurance.
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SPECIAL FEATURES
  • New 2K digital restoration of the director’s preferred 185-minute cut, with uncompressed monaural soundtrack on the Blu-ray
  • New 2K digital transfer of the original 205-minute version of the film, The Passion According to Andrei
  • Steamroller and Violin, Tarkovsky’s 1961 student thesis film
  • The Three Andreis, a 1966 documentary about the writing of the film’s script
  • On the Set of “Andrei Rublev,” a 1966 documentary about the making of the film
  • New interviews with actor Nikolai Burlyaev and cinematographer Vadim Yusov by filmmakers Seán Martin and Louise Milne
  • New interview with film scholar Robert Bird
  • Selected-scene commentary from 1998 featuring film scholar Vlada Petric
  • New video essay by filmmaker Daniel Raim
  • New English subtitle translation
  • PLUS: An essay by critic J. Hoberman

 
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