The 136-minute Extended Version of the film from a 4K scan, as well as the original 122-minute Theatrical Version
60-page perfect bound booklet featuring new writing by Farran Nehme, Roderick Heath and Jeremy Carr plus select archive material
Limited edition packaging featuring newly commissioned artwork by Tony Stella
Fold out poster featuring original and newly commissioned artwork by Tony Stella
DISC ONE - EXTENDED VERSION
High Definition Blu-ray (1080p) presentation from a 4K scan by Sony Pictures
DTS-HD MA 5.1 surround audio with new score by Christopher Caliendo
Lossless original mono audio with original score by Daniele Amfitheatrof
Optional English subtitles for the deaf and hard of hearing
Audio commentary with Nick Redman, David Weddle, Garner Simmons, Paul Seydor
Audio commentary by historian and critics Glenn Erickson & Alan K. Rode
Audio commentary by historian and critic Glenn Erickson
Moby Dick on Horseback, a brand new visual essay by David Cairns
Passion & Poetry: The Dundee Odyssey, a feature length documentary about the making of Major Dundee by Mike Siegel, featuring James Coburn, Senta Berger, Mario Adorf, L.Q. Jones, R.G. Armstrong, Gordon Dawson
Passion & Poetry: Peckinpah Anecdotes, nine actors talk about working with legendary director Sam Peckinpah, featuring Kris Kristofferson, Ernest Borgnine, James Coburn, David Warner, Ali MacGraw, L.Q. Jones, Bo Hopkins, R.G. Armstrong, Isela Vega
Mike Siegel: About the Passion & Poetry Project, in which filmmaker Mike Siegel talks about his beginnings and his ongoing historical project about director Sam Peckinpah
Extensive stills galleries, featuring rare on set, behind the scenes, and marketing materials
2005 re-release trailer
DISC TWO - THEATRICAL VERSION (LIMITED EDITION EXCLUSIVE)
High Definition Blu-ray (1080p) presentation from a 2K scan
Lossless original mono audio
Optional English subtitles for the deaf and hard of hearing
Riding for a Fall, a vintage behind the scenes featurette
Extended/deleted scenes
Silent Outtakes
Select extended/deleted scenes and outtakes with commentary by historian and critic Glenn Erickson giving context on how they were intended to appear in Peckinpah’s vision of the film