Once Upon a Time in Hollywood - In theaters July 26, 2019

[Noodles]

4.14 star(s) Rating: 4.14/5 7 Votes

Title: Once Upon a Time in Hollywood - In theaters July 26, 2019

Genre: Crime, Drama, Thriller

Director: Quentin Tarantino

Cast: Leonardo Di Caprio, Brad Pitt, Margot Robbie and more!

Release: 2019-07-26

Plot: A story that takes place in Los Angeles in 1969, at the height of hippy Hollywood. The two lead characters are Rick Dalton, former star of a western TV series, and his longtime stunt double Cliff Booth. Both are struggling to make it in a Hollywood they don’t recognize anymore. But Rick has a very famous next-door neighbor…Sharon Tate.

 

[Noodles]

 

[Noodles]

 

[Noodles]

 

[harry]

Thanks @Noodles . Looks great

 

[Space Cadet]

@Noodles Thank you for the heads up !

 

[Sigill]

Thanks for the tag @Noodles! Looks awesome, can’t wait for this!

 

[Deleted member 9789]

Thanks for the tag @Noodles, though I think our Pitt mugging suspicions have been confirmed!

 

[IRON MAN]

 

[IRON MAN]

 

[Wreck]

 

[Space Cadet]

Mr Pitt gonna own this joint. LOL.

...and Kurt is Kurt's grand-, or father (the one in death proof), as you might know already. Another LOL.

...and that nazi burning scene looked pretty familiar. Running out of LOL's.

 

[Noodles]

 

[Noodles]

Reviews coming out of Cannes are extremely positive... some calling it "an instant classic" and "the film Tarantino was born to make".

 

[Noodles]

 

[Noodles]

 

[Noodles]

 

[IRON MAN]

 

[IRON MAN]

Peter Bradshaw (The Guardian):

“It’s shocking, gripping, dazzlingly shot in the celluloid-primary colours of sky blue and sunset gold: colours with the warmth that Mama Cass sang about. The Los Angeles of 1969 is recovered with all Tarantino’s habitual intensity and delirious, hysterical connoisseurship of pop culture detail. But there’s something new here: not just erotic cinephilia, but TV-philia, an intense awareness of the small screen background to everyone’s lives. Opinions are going to divide about this film’s startling and spectacularly provocative ending, which Tarantino is concerned to keep secret and which I have no intention of revealing here. But certainly any ostensible error of taste is nothing like, say, those in the much admired Inglourious Basterds. And maybe worrying about taste is to miss the point of this bizarre Jacobean horror fantasy.”

 

[IRON MAN]

Richard Lawson (Vanity Fair):

“What Tarantino really seems to want to do with the film is just talk about old stuff he likes. Which is nothing new for him—but here, those impulses are perhaps more unbridled than before. The director eschews plot for vignettes and asides, several of them long scenes of Rick filming a guest spot on a Western show. DiCaprio works himself into a brilliant lather in these moments, both when Rick is acting and when he’s back in his dressing room, heartbreakingly chastising himself for forgetting his lines. It’s exciting watching DiCaprio work in this register, all this emotional comedy in service of a richly and kindly realized character. But that’s all we’ve really got to hold onto as the film rambles, over the course of 160 minutes, to its perhaps inevitable end.”

 

[IRON MAN]

Robbie Collin (The Telegraph):

“The film rambles along intriguingly and mostly non-violently, less the fairy tale promised by the title than a bundle of short stories, none of which give any obvious hints as to where they might end up. Where it does end is undoubtedly the big talking point, and one that would be insane to broach three months before its UK release – though it’s safe to say Rick and Cliff become embroiled to an extent, while the murders themselves must be the single most shocking sequence in Tarantino’s filmography for a number of reasons: one moment made me groan “oh no” out loud.”