High Sierra (Criterion Collection) (Blu ray) [USA]

C.C. 95

The Snarky Assassin
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Sep 10, 2014
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The Land, OHIO - U.S.A.
Release Date: October 12, 2021
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Criterion- $31.96
Amazon- $39.95
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Director: Raoul Walsh
Writers: John Huston, W.R. Burnett
Starring: Ida Lupino, Humphrey Bogart, Alan Curtis, Arthur Kennedy, Joan Leslie
  • United States
  • 1941
  • 100 minutes
  • Black & White
  • 1.37:1
  • English
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Marking the moment when the gritty gangster sagas of the 1930s began giving way to the romantic fatalism of 1940s film noir, High Sierra also contains the star-making performance of Humphrey Bogart, who, alongside top-billed Ida Lupino, proved his leading-man mettle with his tough yet tender turn as Roy Earle. A career criminal plagued by his checkered past, Earle longs for a simpler life, but after getting sprung on parole, he falls in with a band of thieves for one last heist in the Sierra Nevada. Directed with characteristic punch by Raoul Walsh—who makes the most of the vertiginous mountain location—Roy and Lupino’s Marie, a fellow outcast also desperate to escape her past, hurtle inexorably toward an unforgettable cliffside climax and a rendezvous with destiny.

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SPECIAL FEATURES​

  • New, restored 4K digital transfer, with uncompressed monaural soundtrack on the Blu-ray
  • Colorado Territory, director Raoul Walsh’s 1949 western remake of High Sierra
  • New conversation on Walsh between film programmer Dave Kehr and critic Farran Smith Nehme
  • The True Adventures of Raoul Walsh, a 2019 documentary by Marilyn Ann Moss
  • Curtains for Roy Earle, a 2003 featurette on the making of High Sierra
  • Bogart: Here’s Looking at You, Kid, a 1997 documentary aired on The South Bank Show
  • New interview with film and media historian Miriam J. Petty about actor Willie Best
  • New video essay featuring excerpts from a 1976 American Film Institute interview with High Sierra novelist and coscreenwriter W. R. Burnett
  • Radio adaptation of High Sierra from 1944
  • Trailers
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Imogen Sara Smith

Original Theatrical Trailer: