I really don’t see why it upsets you that people would prefer the colour version, the version that came first, that looks stunning in colour. and your right it is a option to watch it and not once have I said that I’ve been made to watch it. Not once have I showed pointless anger over it. My statement was a simple reply to noodle about black and white films and his point with the trend. My point was I find it more a trend these films that are released as colour and then re released as black and white. I named the recent 3 that’s happens to. Parasite, Logan and fury road. And I don’t have a problem with b&w films (love the lighthouse, angel A, sin city etc)
just because miller thinks it’s better it don’t mean everyone else does or has to. It’s the same as not all directors cuts/ extended cuts and whatever else are better than The original theatrical releases regardless of if it was the directors original vision or their preferred version. Sometimes they are and sometimes they ain’t. Of course all personal preference. I’ve not once questioned why you like the b&w version. And I’m not fully against it, as I stated before I actually like Logan noir but it’s not better than the colour version. Just like I think the colour version is better than the chrome fury road. Only difference with that is I found the b&w version of fury road slightly pointless as it’s such a colourful and rich film.
Whilst I don’t agree with blusteel on this matter (I wouldn’t want to see the lighthouse in colour) your comment about directors original vision is the same as fury road. Okay apparently he wanted it in b&w but that came after his original release with colour. If b&w fury road was his original vision then he should of released it first.
but I agree with blusteel, I wouldn’t want to see the lighthouse in 4K. It would just ruin the anaesthetic of the look. Just like I feel chrome fury road ruins all that effort they put into making it looks so colourful and beautiful. But that’s just my opinion.