Matt Cummings wonders what could have been as GLASS completes Shyamalan’s superhero trilogy.
BUMBLEBEE successfully reboots the TRANSFORMERS universe by doing everything Michael Bay couldn’t (or wouldn’t) do.
AQUAMAN takes us underwater to great CGI and solid performances. The question is, do DCEU fans even care at this point?
Julian M. Miles reviews the surprising, dark and deft horror film, LOOK AWAY.
MARY POPPINS RETURNS is an extraordinary journey into our youth, filled with memorable music and engaging characters.
Although an improvement over the original, FANTASTIC BEASTS – THE CRIMES OF GRINDELWALD is overstuffed and yet paper-thin.
Matt Cummings reviews the paint-by-numbers sequel THE GIRL IN THE SPIDER’S WEB.
BOHEMIAN RHAPSODY is both an operatic rock experience and a frustratingly light dramatic biopic.
Matt Cummings reviews the Neil Armstrong biopic FIRST MAN.
Michael Madison writes a theatrical review for the new horror film HALLOWEEN 2018.
Matt Cummings is shocked to admit the spectacular failure of the not-for-kids CHRISTOPHER ROBIN.
Matt Cummings reviews – and loves – MISSION: IMPOSSIBLE – FALLOUT.
Matt Cummings laments over the disappointment that is THE EQUALIZER 2.
Matt Cummings enjoys HOTEL TRANSYLVANIA 3: SUMMER VACATION, even with its many flaws.
Matt Cummings reviews Marvel’s ANT-MAN AND THE WASP.
Matt Cummings shoots and charms his way into hyperspace with SOLO: A STAR WARS STORY.
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